Why the film trilogy "Lord of the Rings" is not just a large-scale fantasy film, but a really good film? How does Peter Jackson use plan editing, angles and color to tell a story about Middle-earth? And what two frames could express the essence of the whole trilogy? In the new video we take apart the cult screen adaptation and try to understand why we don't get bored of watching "The Fellowship of the Ring", "The Two Towers" and "The Return of the King" over and over again.